Time After Time / Sammy Cahn / Jule Styne Them There Eyes / Pinkard / Tracy / Tauber That Old Feeling / Lew Brown / Sammy Fain Quando Quando Quando / Arthur Testa / Tony Renis Our Love Is Here To Stay / George Gershwin Moonlight In Vermont / Blackburn / Suessdorf It Could Happen To You / Burke / Van Husen I'm Confessin' / Daugherty / Neiberg / Reynolds I'm Beginning To See The Light / Ellington / Hodges ….With songs like her swinging version of ‘Them There Eyes,’ and a velvety rendition of ‘Don’t Blame Me,’ the arrangements on her new album ‘My Someday’ bring a fresh interpretation of jazz and big band classics in the style of the period.” – CDunion, 2011Īll My Life / Sammy Slept / Sidney MitchellĪll Of Me / Seymour Simmons / Gerald MarksĪll Or Nothing At All / Lawrence / Altmanĭay Dream / Duke Ellington / Bily Strayhornĭeep Purple / Mitchell Parish / Peter DeRoseĭon't Blame Me / Dorothy Fields / Jimmy McHugh She takes elements of style from the greats of the past to create a style unique to herself. “Leah takes the term crooner as more of a metaphysical state than a style, standing aside and surrendering herself to the song, bringing the song and her voice to a place where neither could be without the other. Leah Natale brings together all these things and you’ll notice the difference. However, very few can recapture the treasures of the 30’s and 40’s, very few sing naturally, without forcing their voice, almost whispering, creating a very intimate feeling. Bienvenida al mundo de la buena musica.” – Jose Luis Ajzenmesser, Radio Palermo 94.7, Buenos Aires, Argentina Translation: Nowadays a lot of jazz singers appear, each with their own style. Leah Natale reune todas estas condiciones y marca la diferencia. Pero muy pocas rescatan aquellas joyas de las decadas de los años 30 y 40, pocas cantan con naturalidad, sin impostar la voz, casi susurrando, creando un clima de gran intimidad. “En la actualidad surgen muchas cantantes de jazz con diferentes formas y propuestas.
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